Part 7: Make a minor key feel like home · Lesson 060 / 117
Parallel scales keep the same tonic
Compare C major and C natural minor without changing home.
Parallel major and minor scales share a tonic. C major is C–D–E–F–G–A–B; C natural minor is C–D–Eb–F–G–Ab–Bb.
The third, sixth and seventh are each one semitone lower in natural minor. The tonic, second, fourth and fifth stay fixed. This is a comparison of interval structures around the same reference.
Begin with only the third: compare E and Eb above C. That is already familiar from major and minor triads. In later passes, listen to A versus Ab and B versus Bb. Do not try to notice all three changes in a single fast scale run.
The backing should support the comparison: C major for the major example, C minor for the minor. Keep the tonic C audible so that a change of home does not distract from the changed intervals.
Hear it
Parallel
Audio fileFour-beat count-in · 60 BPM · Warm sampled electric guitar. Listen once before playing along.
A concrete example
C major degrees 1 2 3 4 5 6 7 become natural minor 1 2 b3 4 5 b6 b7. The tonic remains C.
Fretboard view
High E (string 1) is the top line, matching guitar tablature. Select a note to hear it.

Play notes from a larger button list

Play notes from a larger button list
One small map at a time. Hear the notes, then play the example without looking.
Try it, slowly
- Compare C–E–C and C–Eb–C.
- Make a second comparison using A and Ab above C.
- Name the three changed degrees, then return to the simple third comparison.
Check one idea
What stays fixed in a parallel major/minor comparison?
Show the explanation
The tonic. C stays the home reference in C major versus C minor; the interval collection changes.
A good place to stop
You can explain “same tonic, changed degrees” and demonstrate at least one of the changes.
Return to the example after a short break. A clear explanation matters more than speed.
