Part 8: Add the seventh, one ingredient at a time · Lesson 070 / 117
Minor seventh: extend a minor triad
Build Am7 with a minor third and minor seventh.
Am7 contains A, C, E and G: 1–b3–5–b7 relative to A. Begin with the familiar Am triad A–C–E and add G, a minor seventh above A.
A useful open grip is x02010, giving A–E–G–C–E. Compare it with Am x02210. In this voicing the G-string note changes from A to G, revealing the seventh while the root A remains elsewhere.
Say “A minor seven.” The m identifies the minor triad, and the unqualified 7 in this symbol specifies a minor seventh. A minor-major seventh is a different chord type, outside today's task.
Arpeggiate A–C–E–G, then play the grip. Keep the musical aim simple: identify the added ingredient and hear the difference from the triad you already know.
Hear it
Am7
Audio fileFour-beat count-in · 60 BPM · Warm sampled electric guitar. Listen once before playing along.
A concrete example
Am7 = A–C–E–G. x02010 sounds A–E–G–C–E; Am x02210 instead repeats A on the G string.
Fretboard view
High E (string 1) is the top line, matching guitar tablature. Select a note to hear it.

Play notes from a larger button list
One small map at a time. Hear the notes, then play the example without looking.
Try it, slowly
- Name Am's three ingredients.
- Add G and measure its relationship to A.
- Compare the two grips, then play only the changed note against the remaining chord.
Check one idea
Which ingredients distinguish Am7 from Amaj7?
Show the explanation
Am7 uses C and G, the minor third and minor seventh. Amaj7 would use C# and G#, while both share A and E.
A good place to stop
You can construct Am7 without relying only on its open grip.
Return to the example after a short break. A clear explanation matters more than speed.
