Part 11: Modes with an audible reason · Lesson 098 / 117
Dorian changes the sixth of natural minor
Hear F# instead of F while A stays home.
A Dorian is A–B–C–D–E–F#–G. Compared with A natural minor, only F changes to F#. The formula is 1–2–b3–4–5–6–b7.
The minor third C remains, so the basic tonic triad is still Am. The natural sixth F# is the distinguishing comparison with Aeolian here. It does not turn the tonic chord into A major.
First hear A–F–A, then A–F#–A against a clearly A-centred reference. Keep the rhythm and register identical. Listen for the changed colour rather than trying to label an emotion that must apply in every context.
You can also derive A Dorian from A minor pentatonic by adding B and F#. This connects the new sound to notes already under your fingers. We will let the harmony reinforce that sixth in the next lesson.
Hear it
A Dorian
Audio fileFour-beat count-in · 60 BPM · Warm sampled electric guitar. Listen once before playing along.
A concrete example
A natural minor: A B C D E F G. A Dorian: A B C D E F# G. Changed degree: b6→6.
Fretboard view
Tap a labelled note to hear it. High E/string 1 is at the top, matching tablature.

Use this as a note map, not a speed test. Once the relationships make sense, play them without looking.
Try it, slowly
- Play and name F and F# above A.
- Keep C fixed to confirm the minor third.
- Play a short A–C–F#–E–A phrase with A as the clear return.
Check one idea
What makes A Dorian different from A natural minor?
Show the explanation
The sixth is F# rather than F. Both retain C as the minor third and G as the minor seventh above A.
A good place to stop
You can demonstrate the single changed interval with the same tonic.
Return to the example after a short break. A clear explanation matters more than speed.
