Part 12: Blues, with the foundations still clear · Lesson 111 / 117
Minor blues adds the flat fifth
Introduce Eb between D and E in A minor blues.
A minor blues contains A, C, D, Eb, E and G. It adds b5 to A minor pentatonic, giving 1–b3–4–b5–5–b7.
Start with D–Eb–E. Eb sits between the fourth D and fifth E above A. On the G string, use frets 7–8–9. Play the destination E separately first, then approach it through Eb.
Eb is not a chord tone of A7. In this particular phrase, it creates a brief chromatic connection from D towards E. It can have other expressive uses, so avoid defining every blues-scale note as a passing note regardless of what the music does.
Keep this six-note scale distinct from the major blues scale that follows. They add different intervals to different pentatonic bases. The minor blues scale is a useful palette, not a complete description of every blues melody.
Hear it
Minor Blues
Audio fileFour-beat count-in · 60 BPM · Warm sampled electric guitar. Listen once before playing along.
A concrete example
A minor pentatonic A C D E G + Eb = A minor blues. G-string 7 D, 8 Eb, 9 E demonstrates 4–b5–5.
Fretboard view
High E (string 1) is the top line, matching guitar tablature. Select a note to hear it.

Play notes from a larger button list
One small map at a time. Hear the notes, then play the example without looking.
Try it, slowly
- Play D–E and hear the whole step.
- Insert Eb and keep E as the intended destination.
- Use the three-note motion in a short phrase, then explain Eb's role in that phrase.
Check one idea
Which note is added to A minor pentatonic to make the common six-note minor blues scale?
Show the explanation
Eb, the diminished fifth or b5 above A. It sits one semitone below E, the perfect fifth.
A good place to stop
You can derive the scale and explain one purposeful use of its added note.
Return to the example after a short break. A clear explanation matters more than speed.
